How does shepard fairey make his stencils

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Soon after, he hit the skateboard community hard by pasting homemade stickers all over the place. It was then that he realized his desire and interest in the street art culture and graffiti movement.

Another strong influence was his love for punk music, which he demonstrated stencils. One of the first images he ever used was that of Andre the Giant. Shepard Fairey found this image in a newspaper ad and he chose to introduce it to the streets.

Shepard Fairey is one of the most influential street artists of our time. Shepard Fairey enjoys working with the colors black, white, and red. Fairey has constantly shifted between the realms of fine art, commercial art, street art , and even political art.

His most famous art includes images of Andre the Giant, the Obey trademark, as well as the propaganda poster of Barack Obama.

In Time Magazine commissioned the artist for a second Person of the Year cover. Shepard Fairey is also famous for his activist and humanitarian concerns and often creates and donates artwork in order to promote awareness and show support. He has also made his mark as a graphic designer in both political and commercial spheres, with his work utilized in a number of very high-profile campaigns.

Apartments in this Berlin building are known to fetch higher prices, because Fairey has made these outer walls into colorful artworks. He spotted the image in a newspaper, created a stencil and added the words "has a posse" as a nod to hip hop culture. He then made a few more "as a joke" and used his fake ID to get into clubs where he would post them, as well as placing them on outside street signs.

He described the stickers as a "skateboarding chain letter" which were just supposed to be seen by the people within his community. They started to gain wider attention, however, with a local paper appealing to find out who the artist was and what was behind them.

Fairey said: "I noticed that putting stickers in a few places that were just supposed to be noticed by my friends was actually catching the attention of a lot of people and that started to raise issues of the control of the public space and image absorption I quickly realized that disrupting the usual semiotics of consumption and control of public space was actually really powerful and provocative.

Fairey added: "The media took hold and everyone read into it. Only a few people knew it wasn't a commentary but it made me realize the power of scale. That really impacted the conversation. This experiment made Shepard examine the public space, and how people view and absorb what is put in it by commercial bodies and governments. Based on this experience, Fairey wrote a manifesto the following year that reviewed sticker campaigns as an experiment in phenomenology the philosophical study of the structures of experience and consciousness.

This manifesto was later updated in line with his new campaigns. In the manifesto, he noted that "The first aim of phenomenology is to reawaken a sense of wonder about one's environment The sticker has no meaning but exists only to cause people to react, to contemplate and search for meaning in the sticker.

Based on his initial success, Fairey adapted his first sticker to create his Obey campaign, featuring a stylized and simplified image of Andre The Giant's face. This was disseminated as a sticker, but also painted onto buildings through the use of a stencil.

Fairey posted the Obey Giant image in cities across the world in a move that he thought "democratized art". He wanted to make art accessible and show that there was room in the public space for more than advertising and government signage. As Art writer Alex Rayner notes: "What sets Fairey apart from other graffiti fanatics is the scale of his Giant campaign. The Andre image predates most other street-poster graffiti artists and Giant heads have been plastered up in Japan, Russia, Italy and Paris, as well as numerous sites throughout the UK and the US.

Even British stencil artist, Banksy, cites Fairey as an influence. He was struck by the word "Obey" and how people follow the path of least resistance. He said: "People are told 'This is the right way to do it, these are expectations, these are the rules' But when 'Obey' confronts you it makes people question: 'What makes you the authority?

Do I want that? Do I want to buy that? Fairey wrote: "Kruger's style was eye catching and seemed to universally say 'pay attention and take this seriously'". He has described the image as his own propaganda, and the style also looks back to Russian Constructivism. Does art have to be political? Definitely not. There are plenty of people who have no idea what they're talking about but can make pretty pictures.

However, I do wish that those people who do care and do take some time to understand the issues facing our world would have the courage if they make art to deal with those issues in the art they make. I always want my work to add rather than detract, even though art and vandalism are very subjective.

Street art doesn't have to be approved by a curator.